4/5
-
Rick Owens lilies black lobster dress with pleated front and draped back
-
A.F. Vandevorst dark navy asymmetric wrapped long blazer with narrow lapels
-
Maison Martin Margiela white inside out top with loose threads hanging on the front of the body — spring 2003
-
Ann Demeulemeester black maxi dress with high front and back slit — spring 1995
-
Ann Demeulemeester Blanche black corset lace-up sandals (39) — re-edition of spring 2009
-
Y’s Yohji Yamamoto dark blue denim cropped bolero jacket with frayed edges
-
Maison Martin Margiela black stretched out cardigan hanging off the shoulder — fall 2007
-
Maison Martin Margiela black oversized skirt tailored outwards with split zipper — fall 2005
-
Ann Demeulemeester Blanche black corset lace-up sandals (38,5) — re-edition of spring 2009
-
Maison Martin Margiela grey mock turtleneck jumper with loose threads — fall 1998
-
Issey Miyake off-white straight trousers with pressed waffle texture
-
Ann Demeulemeester black twisted maxi skirt with adjustable zipper slit — fall 2012
-
Maison Martin Margiela x BLESS black fur wig made of recycled fur coats — fall 1997
-
Dries Van Noten grey biker trousers with dark and light grey panelling — fall 2014
-
Ann Demeulemeester black cropped bolero with brass buttons — fall 2009
-
Xavier Delcour black long coat with two silver zippers going from front to back — circa 2000’s
-
Ann Demeulemeester cream draped maxi coat with oversized cowl neck — fall 2012
-
Rick Owens RELEASE black shorts with geometric front panels — spring 2010
-
A.F. Vandevorst brown straight trousers with folded over waist — fall 1998
-
Y’s Yohji Yamamoto black double breasted coat with four pockets — 1970’s
-
Ann Demeulemeester black belt made of the bottom part of a waistcoat — spring 2018
-
Dirk Bikkembergs black boots with flap and laces through the heel (39) — circa 1995
-
Walter Van Beirendonck for Scapa beige ‘Formula 1’ jacket with black stripes and red patches — 2007/2011
-
Dries Van Noten white oversized shirt with traditional South-Asian button up collar — spring 1997